the 2000 classic from m.o.p. back on double vinyl.

following on from the impressive opening statement from modern manners, the second installment from the hitherto unknown outfit sees the sonic remit reaching out to other influences while retaining that poised lounge attitude that made the first record so instantly endearing. research is a dub track in essence, sporting ample space in the mix, the odd conga roll and sparse chords calling out into a field of reverb and delay. can maneras is a more shuffling kind of smooth jazz that aligns with the classy licks of st germain and the like. serate cosmiche finishes the ep off on a melancholic tip that puts the synths at the front of the mix for the first time.

kelli hand has long been at the front of detroit house and techno as a dj and as a producer, in the past she has collaborated and released music with claude young, robert hood, mike banks and many more and her own acacia records label has released a long string of essential 12s since its 1990 inception. tools vol.1 was released in 2002 and features 4 solid cuts from kelli who is in full-on house mode. this ep is definitely for the djs, with each track being a real joy to blend in and out of the mix, you might even need 2 copies of this one

rare italian library/soundtrack gem reissued on vinyl for the first time since 1986. vinyl: 350gsm sleeve with logo by shintaro kago printed inside, sticker presented by mitsuko & svetlana records, distributed by wrwtfww records. composed by piero milesi label logo by manga legend shintaro kago music for films, videos, and fireworks.

phat remixes from honey dijon, dj fett burger & dâm-funk on ninja tune!

limited deluxe box of the gorillaz album �the now now�. the box comes with lenticular front image and contains the album on heavyweight blue vinyl, booklet, art prints, pin badges and download code.

black truffle is honoured to announce the first ever vinyl reissue of david rosenboom�s legendary brainwave music, originally released on a.r.c. records in 1975 and here expanded to a double lp with the addition of over 40 minutes of contemporaneous material.

stockholm limited is back with an amazing one sider! the b side gets an outstanding etching. strong limited remix edition on par grindviks very own imprint.

tapan are back with their first release since their debut album europa. after that 2xlp emotional and epic journey they are now showing us again their dancier side with two cuts the beast (featuring serbian musician jan nemecek) and ghana. both tracks are not easy to categorize. perhaps industrial-inspired tribal-trance is the closest description, and yet somehow after listening to the tracks it feels like trying to put it in a box just dont do justice with the complexity of the music and its components. both tracks are remixed by 2 current favorites of the malka tuti crew - russian duo odopt who deliver an out-worldly idm monster of a remix to the beast, and italian-belgian duo front de cadeaux who pitches the track ghana even slower, adding more percussive grooves, a fat bassline and a whole lot of of sexiness to the brew.

archeo trumps once again with a stunning reissue of riccardo giagni s highly desirable 1988 masterpiece -kaunis maa-. it s a subtle, refined body of work that places giagni s delicate guitar refrains front and centre, with a hazy mist of atmospheric synth pads drifting in the middle distance. the title track is especially sublime, folding dreamy exotica tones into the pastoral sound palette with stunning results. alongside the six original pieces, archeo have also commissioned a special, balearically charged remix from claremont 56 artist simon peter

ebm, black synth and dark beats from the 80s on double vinyl, housed in a gatefold sleeve.

new label from belgiumearly support from goldfox (stubru), dj kronic, chao xin, tonlistina, electrodos, innershades, intergalactic fm, we are various

the mysterious wilson phoenix returns with another batch of muscular techno joints that ll wipe the floor with any half-hearted 4/4 pretenders. considering how sought after his earlier releases are, don t expect this to hang around for long. the beastly 909 kicks on -dorphin- would slot in perfectly with head front panel s own blown out take on peak time rabble rousing techno, while the kick-clap sync on dexed will get fists a-shaking. it s not all blunt drums though - there s plenty of peppy colour splashed all over this record to make it stand out from the crowd. this ain t no monochrome chugging business!

debuetalbum der kanadischen produzentin jayda g auf ninja tune! die vinyl-lp erscheint inklusive downloadcode.

silverhoejd with axel e is a tasteful result of what can happen when a 16-year-old producer from a swedish small town manages to settle within the colossal edm genre. he has created music that hundreds of thousands of people dance themselves sweaty when axwell/ingrosso, martin garrix and others put it in their usb and in front of recurring times at the world s largest festivals. but living in a city that has been colored by decades of more experimental underground scenes and especially in recent years a very strong ambient scene puts their footprints even in a young producers music creation. silverhöjd is a profound melodic houseware that is mixed by as much imaginative ambient. on the single we hear two versions, one more dedicated dance floor and the other more adapted for quieter moments.

club of jacks have been previously spotted on labels like plastik people and blockhead, which should give you an idea of where their sound is pitched. this is classic house with a distinctive uk slant - the beats are up front and the bass is mighty strong. the subs on -alright- just can t be beaten, not least when peppered with other sound system garnishes that keep things ruff and tuff. -raw like 94- makes great use of a lisa stansfield sample for lyrical input, but once again the emphasis is on the weighty production. it s a sound that carries through the b side too, providing you with four highly workable jams for the peak of the night

limited transparent purple coloured & smokey marbled vinyl in cover with lenticular front

repress in yellow label sleeve.

limited repress! coming in hot after the second release, maher daniels the other side is set to release its 3rd cut. yet another 2 originals with one featuring chicago artist and spy bar front man dino gardiakos. one drop and fallen through are both super powerful and hypnotic dance floor tunes which are sure to turn heads all over the world. in fine form as always, maher has reached out to some of the finest talent for remix duties, one drop and fallen through come fitted perfectly with renditions from romanian heavy weights priku and sepp. both remixes really take the originals to new forms and shapes making this package a complete selectors choice for forward thinking music. amazing artwork and 180g vinyl.

ever-impressing uk talent james dexter makes a return to bondage-music this december as he drops his latest three track ep lets go back. 2018 has been a substantial year for london based dj and producer james dexter, with appearances at the likes of fabric (london), claire (amsterdam) and sash (sydney) and releases on little helpers, gruuv, deeperfect and his own inermu imprint in the past 12 months alone. with the new year in sight, here we find three new fresh productions in the form of his lets go back ep, marking a return to bondage music in the process following his recent remix of frinks sofisticate on the imprint. title cut lets go back opens proceedings as dexter reveals an up-front, bumping cut armed with crunchy drum licks, infectious vocal samples and rich, airy chords, before simple things utlises further rich and soulful vocals alongside crisp skipping hats and resonant kicks to guide the production through seven minutes of groove driven house music. last up, dexters roll through pairs refined, stripped back organic percussion arrangements with wandering synth lines and vocal coos to wrap up the ep in fine fashion.

no. 19 of the whities

distant hawaii continues to aurally thaw the oncoming pacific cold front with a quartet of foot-toasting, skin toning summer house shufflers courtesy of hardmatter label-head and london resident jvxta.

after a few years on hiatus, one electronica has gone all out in with a heavy debut 4 tracker from new member thought camera. the young belfast born producer who has been very busy in the studio putting together an arsenal of electronic weapons has also enjoyed an increase in popularity and profile in the local scene due to his hard work and commitment to the cause. with such a strong release about to drop in the next few weeks and with more unreleased material on its way this guy is worth keeping an eye on as a rising talent. without using too many bullshit analogies � this is release is simply dancefloor bliss and a djs dream that will be keep at the front of a record box for years to come and could be a favourite among various styles. the title track astral pilot comes in strong with spatial glitchy electronic chatter and tubular echoes that are pretty damn haunting. headspace comes in on a2 which is the antithesis of serenity and meditation that the name suggests. this acidic jack track is upbeat and laden with bass bleeding all over the place. flip it over and you have lifeforms on the b1 which is the most technical track on the release which ebbs and flows between solemn and sombre leaving you emotionally twisted yet intrigued this is one to look out for! obsession which aptly depicts this track a stalker in the night, haunting, imposing, friday 13th shit. not for the faint hearted.

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it�s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm�s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

limited edition re-issue on yellow coloured vinyl.

ltd to 275 copies - for the eighth release on roberto�s fossil archive imprint, a very special collaboration which was produced by roberto and the late trevino (aka marcus intalex) shortly before his tragic passing in 2017 is poised. the release features three original cuts, along with a previously unreleased remix roberto put together of �black cat� which featured on trevino�s album �front�. the music speaks for itself. however, to honour marcus, a short poem has been put together by one of his closest friend�s.

till today fumio itabashi is a vital part of the japanese jazz culture as a live performer and film score composer. those who want to see how he makes love with his piano should check the world wide web for the french documentary jazzed out, that captured his unique way of playing in one episode. but as music is always firstly for the ears, and not for the eyes, this little letter in-front of you would rather like to recommend to play the �watarase� recordings loud to get hooked by the highly infectious piano gems that have been recorded at nippon columbia 1st studio in tokyo on 12th and 13th of octo-ber 1981. they will haunt you. they will come for good. and they will force you to be a good friend with the repeat button � whatever medium you chose to surrender to the piano jazz music of fumio itabashi.

california flight project is a well known name for many record collectors because of the ppu 7 release of california flight, and the self released cd-r�s from the front man, jerry j. finally preservation records is very proud to present to you the first official release on vinyl of their early tracks 79-81. fantastic modern soul from berkley california. licenced, remastered, with new cover and full credits makes this a collectors item. only 500 pressed.

rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).

jonny rock a familiar face on the london house and disco scenes is recognized by many for working behind the counter at phonica records & blackmarket records during the 00s and as the dude for playing the guitar in freaks project. rock skillfully joins the dots between the old school house, underground disco and boogie vibes in a party setting.

limited to 750 copies 2xlp, where 2 original concept lp s with original artwork are fit together, like it should, and housed in one beautifiul gatefold sleeve showing the original front and back sides: 2 x 140g vinyl, gatefold sleeve, liner notes (french & english), sticker.
bernard parmegiani�s never-released before soundtracks for two films by pierre kast, including the ultra cult les soleils de l�Îles de pâques and award-winning short la brûlure de mille soleils (edited by chris marker). for fans of musique concrète, movie soundtracks, experimental, early electronic, electroacoustic, library music, science fiction, pierre schaeffer, pierre henry, bruno spoerri, luc ferrari, françois bayle, robert cohen-solal, chris marker, pierre kast, weird things, the twilight zone, explorations of the galaxy and of unexplored territories of the human mind.

elision imprint kicks things off for their first release with heavyweight nima gorji. hypnotic atmospheres are underpinned by a foundation that keeps on rolling, while distant celestial resonances and intriguing vocal reflections consolidate the tight, percussive groove. varhat�s remix builds on some primary motifs from gorji�s track and deeply integrates with an up-front bassline that�s here to take names, not prisoners. east end dubs brings a mesmerising contrast with his complimentary and immersive approach that precisely rounds off elision 1.

autre fell asleep in a gondola and awoke in the krankenhaus. this is his first offering for the esp institute. side as everybody in the past is sharp techno aimed for the alleys of your mind gritty, driving, and melodic combinations of blown-out drums and classic electro riffs that relentlessly sprint for a good 4 minutes before a squelching arpeggio and angelic solo kick in tugging the heartstrings and lighting a beacon for those noble morning dancers lost at the front left speaker, channeling from the deep. on side b, frigo completely dismantles any expectations you might have after listening to its predecessor. an undoubtedly seductive samba rhythm comprised of distant snares, rim shots and cowbells holds together an aggressively active bassline, a steel drum harmony and synth solo that crawl all over like a funky worm. this track is truly something special, a gift for the prodigious selector when dropped in the deserved context, it has the potential to unlock unprecedented levels of euphoria. these two songs are as fluid as a paintbrush yet precise as a scalpel.

following sterling entries from derek carr, john shima and mihail p, distant worlds reaches out to perseus traxx for a demonstration of the emotional heft and utopian optimism that classic techno promises in its most compelling moments. this is relatable, familiar territory, but executed with finesse beyond the reach of the average producer. a new mystery is bathed in swirling synth tones as elegant as they are moving, while simulacra places a bold square wave riff front and centre for an impactful deep techno meditation. circumstantial reframes the same rich melodic approach in a frantic chassis of snapping beats darting around the grid with playful glee, and then the map is not the territory applies the same logic to a mystical but rhythmically charged trip into the netherworld of machine soul.

kump is delighted to release the first ep by hlm38 (ou hlm38�s first ep), the naughty half of duo ricco and member of the notte brigante crew from lyon. the three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in turkish delight. front de cadeaux�s take on �illicite cong� is reminiscent of an erotic rave flavoured with oriental spices. last but not least, kris baha slices up �exit� like a tablier de sapeur (local lyonnais dish) served on a julienne of syncopated samples and noisy beats.

for the inaugural release on tilt, faerber presents 070717, a four-track package of spiralling techno due 03.09.2018. as a joint venture from hamburgs renowned pal nightclub and berlin-based dj/producer faerber, tilt will serve as a platform for a range of experimental artists to present their work without restraint. 070717 is a disorienting trip through four swirling cuts, brandishing references to electro, industrial and ambient whilst permeating warmth through vast concrete structures. the title of this first release - a reference to the date of the g20 summit in hamburg last year - represents a period of instability for both the nightclub and faerber, who is a booker and resident dj there. ongoing heavy police presence outside its front doors resulted in a lack of visitors, so much so that the future of the venue became uncertain. despite a series of obstacles linked to the highly controversial political summit, pal continued to throw parties, eventually reaching a point of stability through sheer dedication and a focus on experimental bookings. now, after a slight delay, they are ready to launch their own imprint. 070717 is the soundtrack to resistance against all odds. vital sales points: - first single from faerber (pal) - releases on tilt - extensive global promo by tailored communications - releaseparty at pal on september first.

when i first stumbled across mix tapes out of hamburgs seminal front club (with klaus stockhausen and boris dlugosch at the helm) during the glorious and carefree early days of the popularized internet, there were certain tracks on them that struck a chord. in fact there was one specifically, i couldnt stop listening to. the mixture of an infectious bass line, a super sharp snare, music and harmony vocal snippets, happy claps and synths lines that evoked pictures of a convertible going down a coastline, and - to top it all off - a tribal chant, was irresistible. after some intensive track-id-hunting pre-shazam, i found out that the heaven-sent hymn was music by an act called syncbeat. originally released in 1984 during the craze that was called uk electro via street sounds resp. streetwave and later licensed to german omnivore zyx records. a joint venture between the electro-funk mastermind,dj pioneer and edit maestro greg wilson as well as manchester musicians martin jackson & andy connell, it is exactly that type of dance track that eludes any classification - as you can see from my description above. or to cite greg wilson himself from one of his essays on the subject of uk electro: the track that received the best response was music by syncbeat, which was full of good vibes and could have easily been re-vamped down the line as a house track.

look we re five records deep and yes, we arent sure which tune is on which side. but luckily, this release is as high concept as speed 2: cruise control. on one side you will find ad, which samples an inspiring speech given by the heroic angela davis at southbank in 2017. listen to her wisdom as you play this in your front room at 7am to people who suddenly can t quite look at their hands properly. the other side pas greets you with warnings of atomic explosions over a riotous jam between a yamaha cs-10 and a sturdy analogue 808 clone. if you have a pressing need for air raid sirens, this is for you. we hope you like this west friends release. there will be more.

while ant plate has been insanely busy with a plethora of aliases on a multitude of labels recently, he s still found time to turn out some surefire heaters in the studio with long time sparring partner matt hunt. this release marks the first appearance of rhythm plate on vinyl only, but it s worth the wait. there s an epic scope to apathetic empathy, which features bashy 80s drum hits and squelchy bass front and centre, but soaring vocal licks and piano stabs that widen the track out beautifully. observed privacy is a more emotive cut laden with illustrious keys, abuser experience is a bright and bashy deep house belter and prototype night takes things down a slinky, acid-speckled route. rhythm plate still serving up the house music realness after nearly 20 years.

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it�s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it�s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

like scsi-9 as such always was a neverthing but still existed, so pheotron minds a future synth which lives just in our head. it is from there that we take, line by line, those melodies which join to a track. midnight red is a result you get when opening a bottle of red sharply at midnight. you must be in front of your gear then. at least, it worked for us that way.

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it�s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it�s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it�s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it�s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

clandestine boogie are back, enlisting omsk s sunner soul to provide the goods for their third release. the title track voyager 84 sets the scene perfectly drawing you in with dreamy swelling synths, fizzing hats, and chunky hits alongside choice lo-fi vocal snippets & cosmic top lines - smooth as you like! kim and buran then steer things on a funkier flex with their take on voyager 84 . staccato guitars laid over the top of a heavy bassline, succulent pads and spacey keys provide an intergalactic disco journey with you strapped in the front seat. on the flip side sunner soul team up with fellow russian producer, scruscru. spring mood picks up the tempo working bouncing arps and wobbly synths behind a thumping rhythm - a killer slice of disco tinged house as we move into those sunshine months. closing out the e.p. it s peak time, boogie laden, blissful goodness in the form of joy . funk-fueled guitar licks, an instantly catchy melody and the perfect amount of effects to enhance those build ups and break downs lay the foundations for a sure fire summer hit!

over the course of the last decade, black pepper label boss jose manuel has proved to be one of electronic music s finest contemporary alchemists, conjuring percussive, intoxicating and otherworldly musical treats for such labels as tusk wax, kinfolk, kill the dj, optimo trax and music for dreams. the genius of manuel s productions lies in the italian s ability to conjure cracking cosmic compositions out of a diverse range of global rhythms, instruments and influences. rarely has this been more evident than on his debut release for nunorthernsoul, a four-track serving of dancefloor mysticism that puts mind-altering rhythms and saucer-eyed instrumentation front and centre. track, for example, the light and dreamy wrapped sumptuous balearic synthesizer chords and melodies around gentle hand percussion and drifting zambian vocals on the sublime journey in lusaka followed by the feverish, trance-inducing african rhythms, delay-laden chants, psychedelic acid lines and jangling jew s harp motifs of intense opener journey in lusanda , a ritualistic afro-cosmic onslaught ripe for peak-time plays. if the ep opener is all about being flat on your back and staring skywards, the follow up is all about druggy, heads down sweatiness! manuel s deep love of indian music is explored on journey in mumbai , where exotic sitar lines, fluttering clarinets and echoing, densely layered female vocals rise above a thick, tabla-fired groove. it s naturally hugely evocative and atmospheric - a fine dose of emotion-rich spirituality capable of inducing hallucinations in the straightest of listeners. to complete the ep, our hero travels even further east for journey in osaka , a fittingly percussive exploration of japanese music s past and present that also includes audible nods towards the poly-rhythmic drums of west africa. it s a superb combination of traditional instrumentation, 21st century electronics, heavyweight rhythms and mood-enhancing melodic flourishes. like the rest of the journeys in...ep, it s both hugely alluring and impeccably produced

90 s electro-punk project based in chicago after janis sils emigrated from riga, latvia. self built instruments to create an trash and solid industrial sound. influenced by label wax trax! & bands like laibach, nine inch nails, front 242 ... the world of u.s.o.c.a. reflects a strong talk to military minds. something straight with no breathe. a uniting calling for masses

arthur baker and murk are two of the most iconic brands in electronic music. arthur baker�s career started in boston, and then hit its stride while he was living in new york city in the 80s and 90s, and he now spends much of his time in miami. oscar g and ralph falcon aka murk were born, raised, and lived their entire lives in miami. this new single is a culmination of the three artists spending time together in miami, and djing on the weekly murk monday events at renowned miami location coyo taco (delicious tacos up front, beats in a secret club in the back). coyo combines the tribal house percussion that murk is known for with the party-driven synths, vocals and instrumentation that is arthur baker�s trademark.

undisputed rulers of the new pop empire, kadebostany announce the release of their genre-defining new album monumental, coming march 2018. the quest to design this ultimate pop album has taken kadebostany through hills and plains the world over in search of unconventional contributors and outlandish ideas. all manner of peculiar artists were assembled to weave the intricate tapestry that is monumental, the banner for a pop empire which everyone can stand under. monumental features both newcomer and confirmed singers: delhia de france, rhita nattah, anna kova, sissi rada, kate wallace, and kadebostanys front live singer kristina.